- CINAMAKER VS SWITCHER STUDIO UPDATE
- CINAMAKER VS SWITCHER STUDIO FULL
- CINAMAKER VS SWITCHER STUDIO PRO
- CINAMAKER VS SWITCHER STUDIO SERIES
- CINAMAKER VS SWITCHER STUDIO MAC
In a nod to the Media Composer heritage, the weightlifter (aka ‘liftman’) and scissors icons (for lift and extract edits) are back. I found the new version very easy to use and a welcomed changed however, it will require some adaptation if you’ve been using Media Composer for a long time. Avid is also compliant with the specs of the Netflix Post Alliance and the ACES logo program. Avid has overhauled the internal video pipeline, with 32-bit floating color and an uncompressed DNx codec. Need to see a hidden panel again? Simply side it back open from the edge of the screen. Panels that you don’t want to see may be closed or simply slid to the side and hidden. interface panels can be docked, floated, stacked, or tabbed. Its panel design is similar to Adobe’s approach – i.e. In short, the interface has been modernized and streamlined in ways to attract newer, younger users, without alienating established editors. 2019.5 is the first iteration of the new UI, with more to be updated in coming releases. The 2019.5 refresh is the first major Media Composer overhaul in years. Since I focus on editing, let me discuss Media Composer a bit more. Various examples of its S-series consoles in action were presented. With the acquisition of Euphonix years back, Avid has become a significant player in the live and studio sound arena.
CINAMAKER VS SWITCHER STUDIO PRO
Let’s not forget Avid’s huge presence in the audio world, thanks to the dominance of Pro Tools – now with Dolby ATMOS support. While those are superb, they only apply to a small percentage of the market.
CINAMAKER VS SWITCHER STUDIO FULL
Most of these apply to companies that have invested in the full Avid ecosystem, including Nexis storage and Media Central asset management.
![cinamaker vs switcher studio cinamaker vs switcher studio](https://www.showappslike.com/snapshots/id1261046610_1.png)
This came as part of a host of many updates.
CINAMAKER VS SWITCHER STUDIO UPDATE
Avid revealed its Media Composer 2019.5 update (scheduled for release the end of May). While past product announcements at Connect have been subdued from the vantage of Media Composer editors, this year was a major surprise.
CINAMAKER VS SWITCHER STUDIO SERIES
Part of the editing team from the series Atlanta was on hand to discuss the team’s use of Premiere Pro and After Effects in their ‘editing crash pad’.įor many attendees, NAB actually kicked off on the weekend with Avid Connect, a gathering of Avid users (through the Avid Customer Association), featuring meet-and-greets, workshops, presentations, and ACA leadership committee meetings.
CINAMAKER VS SWITCHER STUDIO MAC
A smaller, but no less important feature is Adobe’s ongoing effort to improve media performance on the Mac platform.Īs in past years, their NAB booth was an opportunity to present these new features in-depth, as well as showcase speakers who use Adobe products for editing, sound, and design. These are solid additions in response to customer requests, which is something Adobe has focused on. For editors and designers, the hallmarks of this update include a new, freeform bin window view and adjustable guides in Premiere Pro and content-aware, video fill in After Effects. The NAB season unofficially started with Adobe’s pre-NAB release of the CC2019 update. And as ever, consolidation continues – this year VizRT acquired NewTek, who has been an early player in video-over-IP with their proprietary NDI protocol. Other companies, like Blackmagic Design, are being encouraged by their larger clients to fulfill those needs. Companies that might have appeared less relevant, like Grass Valley, are back in a strong sales position. This replaces copper and fiber wiring of the past, along with the devices (routers, video switchers, etc) at either end of the wire.
![cinamaker vs switcher studio cinamaker vs switcher studio](https://www.switcherstudio.com/hubfs/SwitcherUI-iphone-ipad.png)
Specifically the world is shifting to an IP-based infrastructure for signal routing, control, and transmission. These appeal to larger customers, such as broadcasters and network facilities. This was a nuts-and-bolts year, with many exhibits showing new infrastructure products. Autodesk, which shifted to a subscription model a couple of years ago, had a demo suite in the nearby Renaissance Hotel, focusing on its hero product, Flame 2020. Apple – well, they haven’t been on the main floor for years, but even this year, there was no off-site, Final Cut Pro X stealth presence in a hotel suite somewhere. RED decided last year that small, camera-centric shows were better venues.
![cinamaker vs switcher studio cinamaker vs switcher studio](https://f.hubspotusercontent40.net/hubfs/2974196/comparison-without.png)
Quantel products remain as part of Grass Valley (now owned by Belden), which is the consolidation of Grass Valley Group, Quantel, Snell & Wilcox, and Philips. There’s not much point in promoting stereo 3D at NAB if most of the industry goes ‘meh’.īig exhibitors of the past, like Quantel, RED, Apple, and Autodesk, are gone from the floor. Not that these are gone – merely that they have refocused on the smaller segment of marketshare that reflects reality. Gone or barely visible were the fads of past years, such as stereoscopic 3D, 360-degree video, virtual/augmented reality, drones, etc. This year the NAB Show seemed to emphasize its roots – the “B” in National Association of Broadcasters.